What else can you do? Here are ten tips that I have found helpful in my own work. The themes, techniques, and graphic elements that go into any given piece should be appropriate to the subject and should be an outpouring both of my own perspective and my joy of creating.ĭeveloping a style comes with practice, trial and error, and, you guessed it, patience. The most important things for me in my own pursuit of style are authenticity and enjoyment.
#Drawing in illustration how to#
I’ve often thought I should be more disciplined and consistent throughout my work, but it turns out I enjoy mixing things up too much to be that strict about style.Īll this to say, I have thought a lot about style-about what it means, and how to develop it. Personally, I tend to admire illustrators from the first group, but I identify more with the second group.
Webster or Stephanie Wunderlich , who have a lot of variety within their own body of work, whether through style or technique, but somehow still have a strong, identifiable voice through all of it. On the other hand, illustrators like Kyle T. For instance, illustrators like Jing Wei or Magoz have a very consistent style and technique and they are very disciplined in sticking to it. Some swear by having a very strict style, whereas others consider that too limiting. What’s tricky about this topic is that the precise definition of style and its importance varies from artist to artist. In this article, I hope to demystify developing a style a little bit and give you a few actionable steps that should point you in the right direction. The style question is a huge one for anyone serious about illustrating, but the answers are elusive.
My goal in my own work has always been to have a strong voice and for it to overflow with personality. Learn to do what I do at Īs an illustrator, I am often asked how I developed my unique and expressive style. Tom Froese Illustrator and designer in Vancouver, BC.
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